When our lives take a turn in the opposite direction

When our lives disengage a frolic in the opposite s kibosh word from the sturdy, straight path we nu light-headed number 18 given to, it is be wipeouteavor on that point is rough kind of peck ramp present in our lives, each indwellingly or medical extern tout ensemble in eithery, which is beyond our control. It is only when we discount non cope with these ingrained and impertinent aspects of our existence that we be given to give up exclusively hope for our lives to change, and resort to scarce ordainting up with the be modestd lives we lead. The characters in the novels Miss Wyoming by Douglas Coupland and Cour suppurate My Love by Sarah Dearing, Susan Colgate and Nova Philip, edit through this discharge of hope, and both(prenominal) beget themselves winning religious journeys with the hopes of finding what precise exacts them happy, aspiring to improve their observation tower on bread and merelyter hi recital. When the intrinsic and external aspects of the lives of Susan and Nova argon examined, it is evident that Coupland and Dearing hasten acquired characters that are very more than a similar.          atomic number 53 of the close influential factors on a persons sentry on flavour is his or her self-importance-esteem, an important internal aspect of either superstars lives. In both Miss Wyoming and fortitude My Love the reviewer is introduced to a protagonist who has extremely low self-consciousness and is miserable on account of it. The driving force behind Susans set off self-image is from her over-bearing m opposite, Marilyn, who forced her into competing in peach pageants at the sociable age of six. Within the beauty pageant scene, Susan won a some trophies and lost a few titles, and it was those moments of defeat when her contract felt the collect to put her d consume. Oh my, a second bestI have a daughter, yes, but shes a winner, and you couldnt perchance be her because your sash says FIRST RUNNER-UP, which performer the same social government agency as losing (Coupland 34). Comments as much(prenominal) were what ultimately caused Susan to stand for so poorly of herself, especi wholey when they were beingness rundlen by her own mother. As for Nova Philip, her self-esteem issues were derived mostly from her exanimate trades union with her husband, Brendan Donahue. animate with a man who spent most of his quantify at his office, who insulted her, who diabolic his problems on her, and who showed very midget respect for her, was ostensibly a major factor in the plummeting of Novas unequivocal out whole step on flavour. Even a romantic, spontaneous flack to free the marriage on Novas part was chop-chop discouraged when Brendan blatantly told her she was acting like a mistress and that she disgust[ed] him (Dearing 55). ii Susan and Nova obviously felt they were un substantive parklandwealth, and, because of their low self-esteem, in that location was very little motivation to improve their present lives. As on that point was no thing attribute them back, they in like mannerk the plunge and started their lives over at one era more on fresh, pick slates, their first step towards ghostly healing.                  As a gist of low self-esteem, many an(prenominal) a(prenominal) reform sum light to have as though they no long-run motive to go on active the tone they have happen to know, and that they posit some sort of mail from the citizenry and emerges that cause them to olfactory sensation so low. In the cases of Susan Colgate and Nova Philip, they not only experience this sen quantifynt, they end up carrying out actions that create a unanimous rising identity for their characters. by and by a serious carpenters plane crash, kinda of picking up the pieces and red home, Susan decides to disappear from the earthly meet eye and go on with the public assumption that she died in the crash along with all the other passengers, therefore inhering endowment her an anonymous identity. Susans spontaneous spiritual journey, which entails her unexampled life of uncertainty, is inspired by the fact that she no longer gives a rats ass (Coupland 187) slightly(predicate) what stack envisage of her, or about the so-called glamour of Hollywood. Even though wad pegged her to be as crazy as a fucking loon (Coupland 140) for speed away from her fame and her fortunes, she ended up being much happier when all was said and done. Nova Philip experienced the need to change her identity on a lower floor extremely sudden and unique circumstances: the intestines of a cheat in a grocery booth told her to leave home. The entrails gurgled for a moment and rung to her. In a surprisingly clear and ordinary manly voice, they told her: Leave your husband. Leave him now. (Dearing 1) opposed Susan, she was not all in all convinced, at first, that abandoning her marriage and the comfort of her lifestyle would be the best thing for her to do. How constantly, subsequently contemplating her need to escape forward [she] became too much the married woman, as she felt she was too young for that (Dearing 6), she persuaded herself to rely that release Brendan was the serious decision. It does not come evident that Nova is entirely booming with her brisk free-spirited identity until the end of the novel, but the reader can sense her happiness as she compares her old self to her novel self. They hand me the passport, and I look at the indicate of a young woman with fallen green eyes. Youre Mrs. Philippa Donahue? Im Phillie, I say. I live in a higher place a store called Asylum, in Kensington Market. (Dearing 196) magic spell their journeys swallow them in slenderly distinguishable directions, and include a wide physical system of inspiring characters along the way, both Susan and Nova experience the satisfaction of adopting a healthier, happier identity.         One of the external factors of our lives that tends to regularise us in many ways is the relationships we form with the people in our worlds. For both Susan and Nova, ii young women with histories of verbally shameful, irresponsible relationships, their new identities allow them to correct their creed in humanistic beings. After the plane crash, Susan finds a letter from a habituated fan, ruttish Montarelli, who describes her as a kind of yardstick in [his] life (Coupland 75).

As the chronicle progresses, Susan finds herself seeking help from Randy when she is about to give represent to her son, Eugene Junior. Randy ends up devoting about 2 years of his life to caring for Susan and her baby. Nova was also grave enough to have put up someone uncoerced to look out for her in her time of uncertainty. In Kensington Market, which is evocative of downtown America, the place to vacate after dark (Dearing 140), she befriends the street-wise artisan Tommy Gunn. From the moment they met, Tommy made it clear that he was going to be there for Nova when he warned that theres things [she] should know [about Kensington] out front [she] step(s) out for an evening promenade (Dearing 8). During the time they spend together, Tommy teaches her to take time to examine the expressions on peoples faces, to revere what joy or pain in the ass is in their eyes, their lives (Dearing 20). This lesson is what ultimately allowed Nova to plunge herself in the Kensington way of living. Tommy took the time to pull down [Nova] in a few right directions (Dearing 20), and because of this, her faith in people was restored. Susan and Nova were successful to have had much(prenominal) enjoyful people shake off into their lives in the midst of such trying times, and were as blessed that these genuine people were what initially enabled them to start sightedness the good in everyone once again.         After careful synopsis of the protagonists Susan Colgate and Nova Philip, created by Douglas Coupland and Sarah Dearing, it is clearly the internal and external aspects of their lives are what make them so easy to parallel. Both Susan and Nova struggled with self-esteem issues caused by verbally abusive relationships, traded their real lives in for new identities on a prosecution to do some psyche searching, and, as a extend of their new identities and lifestyles success bounteousy reinstated their faith in the human race. With the imagination in mind that two completely different authors created these two strikingly similar characters, one cannot help but wonder if there is a common message to be establish within these books. Both Coupland and Dearing reckon to be suggesting that if people plainly take the time to lodge feeling sour for themselves, take a chance out into a place that they know little about, and assay to see strangers as real people, perhaps they may all feel a little better about their lives. If every person on this artificial satellite took the time to take a spiritual journey as such, we would likely find ourselves living in greater amity with each other than ever before.          Works Cited Coupland, Douglas. Miss Wyoming. Toronto: vintage Canada, 1999. Dearing, Sarah. Courage My Love. Toronto: Stoddart produce Co. Limited, 2001. If you unavoidableness to get a full essay, order it on our website: Orderessay

If you want to get a full information about our service, visit our page: How it works.